18.10.17

Library Research


monkeys_as_judges


2 RED

QM 691 M33 1990
Mannix, Daniel Pratt. Freaks: We who are Not as Others, rev. ed., San Francisco, CA: Re/Search Publications, 1999.

2 YELLOW

GT 6730 F74 1996
Thomson, Rosemarie Garland, et al., Freakery: Cultural Spectacles of the Extraordinary Body, New York: New York UP, 1996.

4 RED

PR 409 G7 C5 1965
Clayborough, Arthur. The Grotesque in English Literature, Oxford: Clarendon Press, 1965.

PR 830 G78 V54
Barlow, Paul, Amigoni, David, y Trodd, Colin. Victorian Culture and the Idea of the Grotesque, Brookfield, Vt.: Ashgate, 1999.
Grotesquerie. Groteskology or grotesque in theory. Monstrous and grotesque. Grotesque bodies. Disharmony and transgression. Attraction/repulsion. Laughter and grotesque. Queerly grotesque. Postcolonial grotesque. Conclusion: global grotesque.

PR 1111 G7 S3
Sachs, Arieh. The English Grotesque: An Anthology from Langland to Joyce, Jerusalem: Israel UP, 1969

PR 2638 C67 2003
Coronato, Rocco. Jonson versus Bakhtin: Carnival and the Grotesque. Amsterdam: Rodopi, 2003.

PR 4566 A1 2008
Dickens, Charles. The Old Curiosity Shop, with the Original Illustrations, Oxford: Oxford UP, 2008.

PS 217 R28 C37
Cassuto, Leonard. The Inhuman Race: The Racial Griotesque in American Literature and Culture, 1996.

PT 553 T53 1975
Thomson, Philip John. The Grotesque in German Poetry, 1880-1933. Melbourne: Hawthorn, 1975.


4 GREEN

PN 56 G7 C57
Clark, John R., The Modern Satiric Grotesque and Its Traditions, Lexington, Kent.: University of Kentucky, 1991.

PN 56 G7 E39 2013
Edwards, Justin D., y Graulund, Rune, The Grotesque, Abingdon, Oxon, y Nueva York: Routledge, 2013.

PN 56 G7 H37
Harpham, Geoffrey Galt. On the Grotesque: Strategies of Contradiction in Art and Literature. Princeton, N.J.: Princeton UP, 1982.

PN 56 G7 I34
Iehl, Dominique. Le Grotesque. Paris: Presses Universitaires de France, 1997.

PN 56 G7 K39
Kayser, Wolfgang. Das Groteske in Malerei und Dichtung. Hamburg: Rowohlt, 1960.

PN 56 G7 R62
Robertson, Alton Kim. The Grotesque Interface: Deformity, Debasement, Dissolution. Frankfurt am Main: Vervuert, 1996.

PN 56 G7 R67
Rosen Elisheva. Sur le grotesque : l'ancien et le nouveau dans la reflexion esthetique, Saint-Denis: PUV, 1991.

PN 763 F38 2012
Faudemay, Alain. Le grotesque, l'humour, l'identité : Vingt études transversales sur les littératures Eeropéennes, XIXe-XXe Siècles. Genève: Slatkine Érudition, 2012.

PN 3352 C37 D36
Danow, David Keevin. The Spirit of Carnival: Magical Realism and the Grotesque. Lexington, Ky., University Press of Kentucky, 1995.


4 YELLOW

DG 285 C66 2013
Dinter, Martin, and Buckley, Emma. A Companion to the Neronian Age, Chichester: Wiley Blackwell, 2013.

PQ 287 P49 2012
Peyrache-Leborgne, Dominique. Grotesques et arabesques dans le récit romantique: de Jean Paul à Victor Hugo, Paris: Champion, 2012.

PQ 2191 Z5 S88 2004
Swain, Virginia E. Grotesque Figures: Baudelaire, Rousseau, and the Aesthetics of Modernity. Baltimore: Johns Hopkins UP, 2004.

PQ 2301 P33 2000
Pache, Raphaëlle. Le grotesque : la beauté du réel : oeuvres narratives de Hugo et Gogol. Lille: Atelier Réproductions des Theses, Université De Lille III, 2003.

PQ 4053 M66 2001
Jewell, Keana Jane. Monsters in the Italian Literary Imagination, Detroit: Wayne State UP, 2001.

PQ 4145 F47
Ferrante, Luigi. Teatro italiano grottesco. Bologna: Cappelli, 1964.

PQ 6086 M65 2009
Insúa-Cereceda, Mariela, and Peres, Lygia. Monstruos y prodigios en la literatura hispánica. Madrid: Iberoamericana, 2009.

5 BLUE

N 6310 B19
Baltrusaitis, Jurgis. Réveils et prodiges : le gothique fantastique. Paris: Armand Colin, 1960.

N 6555 R64
Rodríguez Prampolini, Ida. El surrealismo y el arte fantástico de México, 2nd. ed., México: Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, 1983.

N 8217 G8 C3
Caillois, Roger. Au coeur du Fantastique. Paris: Gallimard, 1965.

N 8217 G8 C66 2014
Connelly Frances S., The Grotesque in Western Art and Culture: The Image at Play, Cambridge y Nueva York: Cambridge UP, 2012.
1. Introduction: entering the Spielraum
2. Improvisation
I: grottesche
3. Improvisation
II: arabesques
4. Subversion: the carnivalesque body
5. Trauma: the failure of representation
6. Revelation: profound play
This book establishes a fresh and expansive view of the grotesque in Western art and culture, from 1500 to the present day. Following the non-linear evolution of the grotesque, Frances S. Connelly analyzes key works, situating them within their immediate social and cultural contexts, as well as their place in the historical tradition. By taking a long historical view, the book reveals the grotesque to be a complex and continuous tradition comprised of several distinct strands: the ornamental, the carnivalesque and caricatural, the traumatic, and the profound. The book articulates a model for understanding the grotesque as a rupture of cultural boundaries that compromises and contradicts accepted realities. Connelly demonstrates that the grotesque is more than a style, genre, or subject; it is a cultural phenomenon engaging the central concerns of the humanistic debate today. Hybrid, ambivalent, and changeful, the grotesque is a shaping force in the modern era.

N 8217 G8 D3
Daniel, Howard. Devils, Monsters, and Nightmares: An Introduction to the Grotesque and Fantastic in Art. London: Abelard-Schuman, 1964.

N 8217 G8 G76 2012
Málaga, Museo Picasso, The Grotesque Factor, 2012-2013.

N 8217 G8 H85
Hyman, Timothy, et al. Carnivalesque. London: Hayward Gallery, 2000.

N 8217 G8 K33
Kayser, Wolfgang. The Grotesque in Art and Literature, translated by Ulrich Weinstein. Bloomington: Indiana UP, 1963.

N 8217 G8 K23
Kayser, Wolfgang. Das Groteske: Seine Gestaltung in Malerei und Dichtung. Oldenburg: G. Stalling, 1957.

N 8217 G8 K235
Kayser, Wolfgang. Lo grotesco: su configuracion en pintura y literatura. Buenos Aires: Editorial Nova, 1964.

N 8217 G8 K655 2008
Kommerell, Viktor. Metamorphosed Margins: The Case for a Visual Rhethoric of the Renaissance Grottesche under the Influence of Ovid's Metamorphoses, 2008.

N 8217 G8 S86 2004
Disparities & Deformations: Our Grotesque, The Fifth International SITE Santa Fe Biennial, Santa Fe, New Mexico, 2004-2005

N 8217 G87 D27
Dacos, Nicole. La découverte de La Domus Aurea et la formation des grotesques à la Renaissance, London: Warburg Institute, University of London, 1969.

N 8217 H68 G78 1997
Grunenberg, Chistoph. Gothic: Transmutations of Horror in Late-Tewntieth Century Art, Boston: Institute of Contemporary Art, 1997.

NA 7756 M29 W46
Wengiel, Rubén. The Place in between: Grotesque Characteristics and Encoded Messages in the Palazzo Te.”, thesis, Hebrew University of Jerusalem, 2011.

NA 8460 C6
Conrads, Ulrich, and Hans Günther Sperlich. The Architecture of Fantasy: Utopian Building and Planning in Modern Times. New York: F. A. Praeger, 1962.

NB 170 B35
Benton, Janetta Rebold. Holy Terrors: Gargoyles on Medieval Buildings. New York: Abbeville, 1997.

NB 543 B85 1969
Bridaham, Lester Burbank. Gargoyles, Chimères, and the Grotesque in French Gothic Sculpture, 2nd ed., rev. and enl. ed., New York: Da Capo, 1969.

NB 615 B65 2009
Frommel, Sabine, et al. Bomarzo: il sacro bosco. Milan: Electa archittetura, 2009.

NC 242 B384 S66
Snodgrass, Chris. Aubrey Beardsley: Dandy of the Groteque. New York: Oxford UP, 1995.

NC 257 L553 C53 2002
Clayton, Martin. Leonardo da Vinci: The Divine and the Grotesque, London: The Royal Collection, 2002.

NC 1280 T75
Tristan, Frederick, et al. Le monde a l'envers : étude et anthologie. Paris: Hachette-Massin, 1980.

ND 192 R6 R6213 1978
Jones, Philippe. Beyond Time and Place: Non-Realist Painting in the Nineteenth Century, 1978.

ND 497 B131 A57
Akerman, Luis Mariano. The Grotesque in Francis Bacon's Paintings, Master Thesis, 1999.

ND 623 A722 M35
Maiorino, Giancarlo. The Portrait of Eccentricity: Arcimboldo and the Mannerist Grotesque. University Park, Pa.: Pennsylvania State UP, 1991.

ND 1288 W3714 1977
Watney, Simon, and Michel Braudeau. Quarante peintures fantastiques. Paris: Chêne, 1977.

ND 2755 Z3 2007
Zamperini, Alessandra. Le grottesche: il sogno della pittura nella decorazione parietale. San Giovanni Lupatoto, Verona: Arsenale, 2007.

ND 2755 Z3513 2008
Zamperini, Alessandra. Ornament and the Grotesque: Fantastical Decoration from Antiquity to Art Nouveau. London: Thames & Hudson, 2008.

ND 3339 B68 2002
Bovey, Alixe. Monsters and Grotesques in Medieval Manuscripts, Toronto: Toronto UP, 2002.

NE 670 B65 S3
Schéle, Sune. Cornelis Bos: A Study of the Origins of the Netherlands Grotesque. Stockholm: Almquist & Wiksell, 1965.

NX 650 G7 A43
Adams, James L., et al., eds., The Grotesque in Art and Literature: Theological Reflections. Grand Rapids, Mich.: W.B. Eerdmans, 1997.

NX 650 G7 B3
Barasch, Frances K., The Grotesque: A Study in Meanings, The Hague: Mouton, 1971.


5 YELLOW

B 2798 C66 2009
Clewis, Robert R. The Kantian Sublime and the Revelation of Freedom, Cambridge, UK: Cambridge UP. 2009.


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